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honestly not really.

in the studio yeah

my flickr is moderate viewing so you may have to vhange your settings to see them. I'll check the contact thing out. nope anyone can see them, you must have to have your safe viewing settings too harsh I think.

link is fine, you have to be logged in to flickr

did some experimenting in the studio today so bear that in mind when you view these shots. most are of an erotic nature so there is a link to my flickR folder too. really pleased with the results from the 5D2, the amount of detail the 5D2 picks out is absolutly stunning...

WTF is that about, a horse is not a fecking poodle.

should see a G10 with a 580ex on it lol works really well too

450/500D not aimed at D90 though, that would be the 40D.

PMSL at the "we exclusively use nikon equipment to ensure high quality imagery"

the lens is pretty slow so unless its quite sunny you'll need to bump up the iso to get the shutter speed fast enough to freeze the action. you'll want to get your composition right no horses heads hiding the riders, get the riders in the air or on approach rather than landing unless they are...

depends on the calibration of the monitor.

best to shoot with a small amount of light still left in the sky.

nothing hard about wedding photography its only taking pictures of people. people charge alot because they can get away with it lol

I see it too TBH

voyurism lol

never used a monopod in my life. if you have a big lens say 400,, f2.8, 500mm f4 then yes I can see the point but other than that they are a waste of money

depends what you are going to give them. I charge £400 for friends plus prints non friends £800. just remember that you not onlyhave to spend time taking the pictures, aranging the guests making sure you get everyones photo but you have to process the images and then present them to the...

might also want to consider http://www.b-hague.co.uk/camera_suction_pads_vacuum_mounts.htm if you want a rig.

I've never met anyone that liked to see their car distorted and the mags I work for like correct perspective.

suppose, an overpriced film camera will take a better picture than a 5d in these sorts of situation. makes perfect sense

Fujifilm F200EXR

you really don't want to go longer than a couple of seconds. you still want to keep the background without making it just a blur. Problem with close in rigs like that is you have to use an UWA lens to get the whole car in which distorts the car

450D since it can actually autofocus will all canon EOS mount lenses

you'll be wanting an ultra wide angle and a telephotozoom. depends how much you want to spend really lol any lens that can be used on a D40 can be used on a D90

f2.8 lens, flash with stofen attached. exposure and ISO dependant on light in club. if its crap light don't expect decent shots. nice colourful shots with good emotion a must to make the shots look interesting. some I did week or so back at a dj sash gig shot in manual wide open...

save a bit more and get the 70-200 f4 L

I don't have one lol

10-22 is too wide for cars, the perspective will warp them. if you already have the kit lens then I would think about a zoom or upgrade your kit lens to somthing faster.

I got bored with that after the first page TBH

couple more at iso 100 out the window full size as a link below http://farm4.static.flickr.com/3624/3332289093_c1448caba4_o.jpg http://farm4.static.flickr.com/3584/3333126486_52128ae150_o.jpg http://farm4.static.flickr.com/3573/3332287503_d2e2066dc4_o.jpg...