What do you think ? No it isn't being hungIs that dog being hung?!
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Looks like it's on steriods. I wouldn't mess with him on a bad night.
The lead that is attached to the collar which is loose is not pulling the dog off the ground his feet are firmly on the floorAnd yeah clearly not being hung but just couldn't see any human legs- and looks like the lead is pulling it off the ground?! Either way each to their own
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Cheers mate.I've got a nearly new Lowepro tat I can sell.
I can't remember the name of it but I have the same but with a laptop compartment so it's never going to get used.
I know it'll fit a dlsr plus upto 3 lenses. It's also got a from pocket for filters etc and a top half which I used to fit all the baby's stuff in.
Fastpack 200 I think. I'll check when I'm home.
So I've got a 550D, a few lenses (Tokina 11-16mm, 50mm prime 1.8, and then the 2 stock lenses), looking to upgrade and get an all-purpose lens for general photography & product photography.
The one sticking out is the 24-70mm F4 - I looked at the F2.8II and without IS it feels like a downgrade despite being a sharper image. I also like the idea of the macro feature which is what drew me away from the equiv Tamron 24-70mm's. Can anyone advise? Also, seeing all these new cameras out, is it worth just switching camera? With stuff like the GH4/GH5 etc, and the other 'compacts/micro 43rd's' becoming amazing and even having great lenses, what would you do??
I know, big question.
Depends how much you want to spend and what you want to do with it.
10-20 and a 30mm f/1.4 are about all I ever use in normal life.
Been doing some work related toggin' this week, decent lights and a tripod and shooting at f/10+ so a ''fast" lense is irrelevant.
I would say my 30mm is an all rounder. If you want to zoom in, stand closer or crop later.
Your question is like (and I'm sure I've used this analogy before) asking the forum which car to buy to drive on roads.. if you see what I mean...
A good all round lens is the Canon 24-105 f4 but it'll be more like 50-150 (or whatever it works out when you times it by 1.6 for your crop sensor)
I've never used the image stabilisation on any of my lenses.
Your 50 should be good enough for product photography but it all depends what you will be doing.
Do you need the 2.8? The wife has the Sigma 24-70 2.8 and it's superb but costly.
Not sure which reviews you read on the 24-105 but it's far from pants. Maybe you read on the old kit lens (3.5-6), not the F4. It's a go to lens for a lot of pro photographers I know.
Anyway, glad you got a new one. Glass is the most important part of the camera setup.